Vicki Boeckman, Music Director
Vicki Boeckman has performed as soloist and chamber musician throughout the United States, Scandinavia, England, Scotland and Germany, and has appeared on countless productions for Danish and Norwegian radio and television. Her recordings can be heard on the Kontra Punkt, Classico, Da Capo, Horizon, Musical Heritage America, Paula, Kadanza, and Primavera labels.
Vicki resided in Denmark from 1981-2004. While there she taught at the Royal Danish Academy of Music in Copenhagen for 12 years, and at the Ishøj Municipal School of Music for 23 years. Together with colleague Dorte Lester she co-founded a regional recorder orchestra for children and young adults which continues to flourish and grow. In great demand as a teacher here in the United States, Vicki coaches and teaches at workshops and seminars all over the country. She has taught in Arizona, California, Colorado, Indiana, Massachusetts, New Mexico, New York, North Carolina, Oregon and Washington, and British Columbia. She has been on the faculty of the Music Center of the Northwest in Seattle since February 2005, and also an integral leader of the Seattle Recorder Society for many years. Vicki was Music Director for the Portland Recorder Society from 2007-2014.
In the Seattle area, Vicki has been a featured soloist with the Seattle Baroque Orchestra and the Philharmonia Northwest Orchestra. She is a returning guest with the Seattle Baroque Orchestra, the Gallery Concerts Series with harpsichordist Jillon Stoppels Dupree, the Northwest Girl Choir, and the Medieval Women’s Choir led by Margriet Tindemans.
Vicki was co-founder of two Danish-based ensembles: Opus 4, who concentrates on performing trio sonatas from the 17th and 18th centuries, and Wood’N’Flutes, a recorder trio playing works spanning the Middle Ages to the 21st century. Wood’N’Flutes has commissioned and premiered several works by Danish composers. Since 2003 they have been invited back to the United States three times to perform and teach in Arizona, California, Massachusetts, Oregon and Washington State. Vicki continues to perform with these ensembles abroad as often as she can. Wood’N’Flutes recently recorded a new cd entitled, Woodworks with contemporary works by Danish composers, which was nominated for a Danish grammy in the category of contemporary chamber music recordings. For additional information, consult Vicki’s website at www.vickiboeckman.com.
To contact Vicki: firstname.lastname@example.org
Laura Kuhlman, President of the American Recorder Society and the new Music Director of the Portland Recorder Society, returns to join the faculty at CGEMR. Laura is one of the most fun and enthusiastic leaders of the recorder community today. During her previous years at CGEMR, she fell in love with Oregon and its early music community. How lucky we are that she has chosen to make Portland her new home!
Laura has enjoyed a career in music that started as early as fourth grade, when she received her first flute. Since then it has been a love affair with music that has spanned many years and just as many genres. Laura obtained an A.A. degree from Cottey College in Nevada, Missouri and a B.Music degree from Pittsburg State University, in Pittsburg, Kansas. She has studied with flute teachers Charles Delaney, John MacKay and John Fonville. Early music instructors have included Marion Verbrüggen, Frans Brüggen, Robert Wiemken and Joan Kimball.
Laura has enjoyed freelance partnerships with several early music ensembles in the Chicago area and is a founder of the Milwaukee Renaissance Band. Laura specializes on shawms, dulcians, crumhorns, recorders and an occasional bagpipe. She is the former music director for the West Suburban Early Music Society and is currently President of the American Recorder Society. Laura sits on the Board of the Madison Early Music Festival and is an instructor at many early music workshops throughout the nation. When she is not playing her instruments, Laura indulges in bicycle touring and exploring the great Pacific Northwest.
To contact Laura: email@example.com
Gayle and Philip Neuman
Gayle Stuwe Neuman, a performer on violin, recorder, sackbut, and many other instruments, is also a vocalist who has received international acclaim for her renditions of the “Song of Seikilos”, the “Chorus from Orestes”, and others upon the release of Ensemble De Organographia’s “Music of the Ancient Greeks”, now in its seventh pressing. Several of the tracks from that recording have also appeared in the Norton Scores CD Anthology and numerous films and television programs. She has performed for audiences in the U.S., Japan, Israel, Turkey, Greece, Canada, Norway, Germany, and for members of the royal family in Jordan.
She cofounded and co-directs the Oregon Renaissance Band, now in its 17th season. Gayle is a member of the Trail Band and performs with Cappella Romana and the Portland Baroque Orchestra Chorus. She has played under the baton of Monica Huggett and Ton Koopman. She teaches Recorder and Renaissance Song Classes at Portland’s Community Music Center, and Ancient, Medieval, and Renaissance Music History at Marylhurst University. She has given workshops and presentations at many institutions including Oberlin Conservatory, Rice University, Cleveland Museum of Art, and the Getty Museum. She has built with her husband Philip over 400 early wind and stringed instruments, including crumhorns, corna musen, racketts, and vielles.
Philip Neuman, a performer on recorder, sackbut, and numerous other wind and string instruments, cofounded and co-directs the Oregon Renaissance Band, which has performed for the Regensburg Early Music Festival and recorded the cd “Carnevale.” He has produced and recorded seven cds for Pandourion Records including “French Music of the 14th Century,” “Music of the Ancient Greeks,” and “The One Horse Open Sleigh.” He has written and recorded for productions by Oregon Public Broadcasting. He has played for audiences on three continents, including performances at several ancient theatre sites in Greece.
He has taught Recorder, Renaissance Winds, and Loud Band Classes at the Community Music Center in Portland since 1981. He teaches Counterpoint and Orchestration at the University of Portland and Ancient, Medieval, and Renaissance Music History at Marylhurst University. Philip is a member of the Trail Band, has performed under the baton of Christopher Hogwood and Nicolas McGeegan, recorded with the American Bach Soloists, and has played in the Philharmonia Baroque Orchestra, The Chicago Chorale, Handel & Haydn Society Orchestra, and Spiritus Collective. He has composed, arranged and transcribed over a thousand works for recorder ensemble, brass ensemble, and symphonic wind ensemble, including “Theme and Variations” that won 1st place in the San Francisco Recorder Composition Competition.
To contact Phil or Gayle Neuman: firstname.lastname@example.org
Mark Davenport is Director of the Music Program at Regis University in Denver, Colorado. He holds the Ph.D., and Master of Music degrees in Musicology from the University of Colorado at Boulder, where he was the recipient of the Gordon Getty Foundation Scholarship and Ogilvy Research Fellowship (Center for British Studies) for his doctoral work on the seventeenth-century English composer William Lawes. He did his doctoral research at the Bodleian and Christ Church Libraries in Oxford. Prior to his current position at Regis, Mark served on the faculties at the State University of New York, the University of Colorado, and the Metropolitan State College of Denver.
Davenport has had an extensive performing career on the recorder beginning in the late 1970s when he first toured with the internationally renowned New York Pro Musica during their performances of the thirteenth-century liturgical drama The Play of Daniel. Since moving to Colorado in 1992 he has been a featured soloist with the Colorado Music Festival and Boulder Bach Festival Orchestras. He has also founded several early music ensembles including the Boulder-based Fiori Musicali and Trio Dolce.
From 1993–1997 Mark was Book Review Editor for American Recorder, the journal of the American Recorder Society (ARS), and later served two consecutive terms on the Society’s Board of Directors (1994–2012) chairing its Education and Programs Committees. His music publishing company, Landmark Press (established in 1998), publishes performing editions of music for recorders and other early instruments and voice. In 2004 Mark founded, and currently directs, the Recorder Music Center, an international repository for recorder music, instruments, and archival material related to the history of the recorder movement in America. The Center is housed in the Dayton Memorial Library at Regis University: http://www.regis.edu/About-Regis-University/Centers-and-Institutes/Recorder-Music-Center.aspx. He also directs the 30-member Collegium Musicum at Regis, which acts as the performing arm of the Recorder Music Center.
Contact Mark: email@example.com